Trapping a group of characters in a contemporary art installation and slapping thematic tags as trapped existence, perverse sexuality, and life and creation, etc. thereon do not make good cinema. This film is more of a proof that a female director could be no less sadistic in (physically) exploiting her actors, and also that in some respect Japanese sci-fi hentai is far more avant-garde than self-important arthouse films.
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开心吧
2024-09-16 11:46
见山海见自己
2024-09-15 11:22
豆小柯
2024-09-15 09:14
放轻松
2024-09-16 06:45
看见一天
2024-09-16 02:12