Trapping a group of characters in a contemporary art installation and slapping thematic tags as trapped existence, perverse sexuality, and life and creation, etc. thereon do not make good cinema. This film is more of a proof that a female director could be no less sadistic in (physically) exploiting her actors, and also that in some respect Japanese sci-fi hentai is far more avant-garde than self-important arthouse films.
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好多人我好害怕
2024-09-10 09:24
心有惊雷
2024-09-09 10:17
宾根的希尔德加
2024-09-10 04:12
昔歸
2024-09-10 07:29
一斛明珠
2024-09-10 07:01