风月宝鉴之二人同床

“Greenaway’s obsessive aesthetic measures labor in hybrid forms that venture beyond the traditional territory of film, reaching for that intersection of the map, the wall, and the screen.” 但是在我看来格林纳威的空间本身（空间的图像而不是展览图像的方式）好像不是给人居住的而是如画廊里的画一样供人欣赏的泛着光泽的物世界和画空间最终呈现出尼采所言“内在的幻觉世界的美丽外观（schein）”风月宝鉴之二人同床这种外观（appearance/illusion）建造大概就是格林纳威“瓦解边界”的核心