A free-wheeling pinku homage to Rear Window may seem a surprising start for Kurosawa, but it establishes a lot of the oddball charm that would later find its way to wonders like Doppelganger. Even if not much coheres—the leads’ characterization remains as flat as any pink film—it’s such a spirited, brisk romp that there’s little reason to complain.
用户评论
一天世界
2024-10-20 05:33
槐夏西汜
2024-10-20 06:23
新仔
2024-10-20 06:09
一天一万年
2024-10-20 12:25
芳仔要戒骄戒躁
2024-10-20 07:57