Akerman brings to world cinema a level of sensitivity & perception that surpasses the best of men (Rohmer, Bergman, Antonioni, Bresson). Les Rendez-vous d'Anna is at once warm and detached, familiar yet strange, funny but serious. It's a film where the personal intersects with the historical; the sexual with the political; and the particular with the universal. Ackerman dissects, deconstructs, and redefines the elements of cinema that JLG never managed to do.
最後一集看到一個彈幕：「岁岁常欢愉(校园1 V 1 )结局」入贅的姓氏加上平凡到甚至有點幼稚的名字摸爬滾打耗費金錢拋棄初心才跨越的階級之差依舊逃不過華麗的殞落的結局高超的醫術還是良知的醫德名譽、人命還是仁心辯論到最後像是無解的命題⋯⋯還是說像奧斯維辛的鐵軌無論怎麼走都會通往地獄不愧是小說改情節前後呼應太厲害了感覺美國讓醫生對醫療事故坦蕩面對的態度挺值得借鑑的
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张力视觉
2024-12-01 12:30
崇铖
2024-12-01 06:18
发财小狗丁❤️⭐
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我是穿裤子的云
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