A free-wheeling pinku homage to Rear Window may seem a surprising start for Kurosawa, but it establishes a lot of the oddball charm that would later find its way to wonders like Doppelganger. Even if not much coheres—the leads’ characterization remains as flat as any pink film—it’s such a spirited, brisk romp that there’s little reason to complain.
用户评论
空城里的空白
2024-08-25 04:15
维尔特
2024-08-26 02:13
哈嘍柒柒
2024-08-26 12:04
路过的路人
2024-08-25 12:06
糯米糍粑
2024-08-25 08:53