A free-wheeling pinku homage to Rear Window may seem a surprising start for Kurosawa, but it establishes a lot of the oddball charm that would later find its way to wonders like Doppelganger. Even if not much coheres—the leads’ characterization remains as flat as any pink film—it’s such a spirited, brisk romp that there’s little reason to complain.
用户评论
有补丁的气球
2024-10-02 05:52
今晚月色很美哟
2024-10-02 09:04
乱世如烟
2024-10-01 04:51
弯曲的直线
2024-10-01 11:23
啾咪啾啾
2024-10-01 07:46