A free-wheeling pinku homage to Rear Window may seem a surprising start for Kurosawa, but it establishes a lot of the oddball charm that would later find its way to wonders like Doppelganger. Even if not much coheres—the leads’ characterization remains as flat as any pink film—it’s such a spirited, brisk romp that there’s little reason to complain.
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长安暮人
2024-08-19 11:09
太冷漠c
2024-08-18 07:55
孖吧
2024-08-19 03:50
来生是一棵树
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陈小五
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