A free-wheeling pinku homage to Rear Window may seem a surprising start for Kurosawa, but it establishes a lot of the oddball charm that would later find its way to wonders like Doppelganger. Even if not much coheres—the leads’ characterization remains as flat as any pink film—it’s such a spirited, brisk romp that there’s little reason to complain.
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我是贝尔摩德
2024-10-01 06:11
小猪宝比
2024-10-01 12:53
评论管理Bot
2024-10-02 03:33
吖面与阿宅 >3<
2024-10-01 07:50
大塔塔
2024-10-02 03:21