A free-wheeling pinku homage to Rear Window may seem a surprising start for Kurosawa, but it establishes a lot of the oddball charm that would later find its way to wonders like Doppelganger. Even if not much coheres—the leads’ characterization remains as flat as any pink film—it’s such a spirited, brisk romp that there’s little reason to complain.
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五小只
2024-10-16 02:13
一棵大菠菜
2024-10-17 07:06
绝鹤.
2024-10-17 12:24
童柏熊
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智能魔仙
2024-10-16 02:56